My mother worked at Christ Church (Oxford University) and she was the first to bring the Trill Mill Stream to my attention. Pictured here the stream appears deep and slow – coming from under the University into Christ Church Meadow.
At one time the stream actually flowed on the surface, but it was eventually buried. The high walls within which the stream is channeled (just before it reaches the Thames – or the Isis as they call it in Oxford) is because in the 1800s the vapors coming off the water were blamed for causing a cholera epidemic- hence the idea to contain it. Initial exploration of the stream in the 1920s revealed a rotting Victorian punt wedged somewhere within and populated by 3 human skeletons.
Numerous people have traversed this underground waterway, Lawrence of Arabia did it in a canoe and one enterprising adventurer used a sea plane float. Modern urban explorers record their adventure and reveal an arched roof of bricks, the undersides of numerous manhole covers and a passage that makes at least 6 90 degree turns – finally ending in an iron gate – as seen from the outside it is this incredibly archaic industrial age contraption – a plate of metal that is raised and lowered by a wheel.
In Ronald Knox’s book, “The Hidden Stream; the Mysteries of the Christian Faith” he mentions Trill Mill Stream in his introduction in saying that, “if you know the right turning close by the gas works you may thrust your canoe up to the mill-pool under the castle walls where an entrance hardly more dignified than that of a sewer invites you to leave the noise of Oxford behind, and float down through the darkness.”
If I still lived in Oxford, I would certainly have been one of the explorers. I had at one time entertained the idea of using an air mattress. Now that I live in Canada the gloomy tunnels under Guelph will have to suffice – sadly they do not have the history of the Trill mill stream.
Looks like our M113 is broken down again. That’s me sitting with my feet on the edge.We are somewhere in Hohenfels (Germany)
Behind me is a 50 cal. I can’t recall the exact issue with the APC, but I believe it was something to do with the track tension which seemed to be an on-going thing.
What I later came to regard as quite odd was that not everyone in the section knew how to use the 50 cal. I believe you needed a special course. In the British Infantry (as I later joined the British Army), if there was a weapon in your section – you knew how to use it.
Well, Rockwatching has been up and running for a number of years now (5 to be exact) and I believe it has contributed significantly to the interest of people like myself who like caving, rocks, the outdoors, gems and minerals in Ontario.
We are just a few short days from 2011 and I believe it’s high time we made some resolutions -all of us (you my loyal fellow bloggers as well).
So in the interests of all involved a few ground rules to follow on Rockwatching from now on
1) Lets not carry a personal vendetta onto this site which is meant to be a forum where like minded enthusiasts can interact in a positive way.
2) Lets respect each other and try not to get personal when we are frustrated.
3) Lets respect the basics of conservation and eco-minded thought.
4) Lets not assume stuff we don’t know for sure (hence the survey at the bottom of the post).
5) Lets keep in mind that this is all about enjoyment.
6) Lets keep in mind that just because the topic is on the table, every single aspect that pertains to it is not an open book.
7) Lets respect people who are not on the site, private property, reputations etc. Just because there is discussion of a site or feature does not mean permission has been granted to go there.
8) Lets not get petty, self righteous or important. Stop correcting my grammar, spelling or use of terms. I am a writer at heart and so I believe I can use the language as I please (providing it’s in good taste, or if I choose, not in good taste).
9) Lets not waste my time by having to re-direct you to one of the above rules.
I can’t be sure of the story behind this fellow, but I was sitting waiting for Maggie in a square off one of the main streets in Chester and in the distance I heard this sound like a wild turkey; everyone around me was looking, wondering what it was … and again the sound; it was this sort of crazy cackling – warbling noise. It just kept getting closer.
Finally this fellow sprinted past, looping back he returned to leap up and down, flapping his elbows like he was trying to fly and yodeling out a wild turkey noise.
I couldn’t be sure whether he was serious or not. We locked gazes and I wondered if I was in for a pecking??? I only had time to snap this hurried picture and then he seemed distracted by something in the distance. Unexpectedly the turkeyman dashed off in a crazy zig zag sprint dodging between startled pedestrians, half crouched over, flapping and leaping, but in vain, everyone knows turkeys aren’t so graceful – in fact they barely fly. The last I heard of the warbler was his deranged turkey call fading in the distance.
Oh turkey man, from whence did you come and where did you go?
Just recently Maggie and I had spent the day walking around the walls of the ancient Roman city of Chester – the town from which her father came and in which her mother had worked as a nurse. Apparently the two of them met when her father was choking after an appendix operation and her mother applied her nursing skills.
We had visited Chester some twenty years ago and had stayed in a bed and breakfast down on the banks of the River Dee.
This ruin was situated above Chester’s Roman Wall and it is part of the structure of the church of Saint John the Baptist. Set up into the wall there is a most unusual feature – a medieval coffin of solid oak. It looks like the coffin was cut from a solid tree trunk and inside it is inscribed “ashes to ashes.”
Nobody really knows the exact story behind the coffin but there are many theories – everything from, “it was bought from gypsies,” to “somebody dug it up while digging another grave.”
I’m not sure why, but Australians have this thing about ritzy performances in the roughest places – like ballroom dancing in a barn, or this documentary that I once saw of a black tie gala that was preceded by tuxedo’d men who were tearing around in dusty old pickups very drunk and cursing. Next morning it looked like there had been a battle with comatose Ozzies scattered across a torn up field amongst shreds of finery, bottles everywhere.
Priscilla became so much a part of Australian popular culture that in the closing ceremonies of the 2000 Olympic games, a bus with a stiletto atop drove around the Olympic stadium with numerous transvestites in tow.
Having enjoyed this incredible show in London, the cast came forward for their bow and Don Gallagher, the most serious of the characters (Bernadette) spoke about the need for charity and that profit from that week was being donated to some cause (I can’t remember what).
As we left we were were asked to contribute what we could to the cause. I pulled out my donation which was not large (considering the restricted cash flow issue), but I was prepared to drop it in the hat or whatever.
In following the crowd we suddenly found ourselves outside on the street in front of the poster and without an opportunity to contribute. I must admit, the show had been so fantastic and the appeal was so heartfelt that I was truly disappointed that we had somehow missed the opportunity to give.
After the disaster with the Visa that didn’t work, our unbelievably generous relatives sprung for theater tickets for what they suggested “Mick needs to give a chance as its really quite good.” Looks like the tickets were 65 pounds apiece which put us on the floor near the front.
The nearest tube station was Leicester Square and emerging up the stairs we found ourselves in the noisy carnival of people, lights and entertainment that is London’s West End theater district. Everywhere there were booths that were selling half price tickets. The best prices were on matinees – things like Stomp, Chicago, Billy Elliot and yes – even Priscilla.
The theater itself – the Palace Theater – was built in the 1880s and when the freehold was purchased in 1983 by Andrew Lloyd Weber they removed the paint to discover incredible onyx and marble panels.
Priscilla is the name of the bus in which 3 entertainers travel across the outback, headed for Alice Springs to perform at a casino that is run by the wife of one of these colorful fellows. Actually the entertainers are transvestites – highly talented as dancers I might add. What makes it a musical is that they lip sync the Supremes. The actual musical begins with 3 angels – well sort of angels – dropping down from the ceiling, they have phenomenal voices and the level of sound grows to quite an overwhelming volume.
Priscilla somehow spins on stage, lights up as though by pixels as every square inch is possibly lit by a light bulb or some kind of illusion to make it appear that way. Half the bus is cut away and part of the drama takes place as they are driving and you see the inside of the bus in cross section – and of course there is that fantastic scene from the movie where one of these fellows is atop the bus (in this case sitting in the stiletto that is pictured above) with silk train blowing out behind. Moving from its position atop the bus the stiletto somehow slides right out over the audience.
One thought though, I can’t imagine why some people took their children – it is certainly not for the younger audience.
All in all, that was money well spent, it was very funny and high energy. Maggie and I are considering going in Toronto some time within the next few weeks to see how the Canadian talent compares.
Following the release some time ago of my book "Rockwatching; Adventures above and below Ontario", I am pleased to announce the release of my new book "Tamarindo; Crooked Times in Costa Rica". It is a story of opportunity. Edgehill Press is the publisher. (www.edgehillpress.com)